Wiltshire churches notes (old blog)

Alton Barnes Church St.Mary;

taken from Pevesner;

"an Anglo saxon church, shown by the long and short quoin stones at the W end and also, by the narrow tall proportions of the nave. Recent excavtion on the north side revealed Saxon pilasters along the nave wall. Foundations of an earlier chancel were also uncovered. Impost moulding also probably A/S. Saxon chancel arch was probably taken down in 1832"

Settlement site 1.1/4 miles north from the village, on boundary with Stanton St.Bernard. Probably Iron age, comprises a roughly small circular enclosure with the remains of hut platforms within, in a charter of 905 the site was referred to as eorth byrig.

Sarsen stone under Alton Priors church
Alton Priors Church; All Saints;

"Perp.w. tower, with nave and low brick chancel, the nave was originally narrower -this is proved by the position of the norman arch............everything later Jacobean, etc.

Earliest is late norman arcades, four bays, their foundation mighty Sarsen stones.......chancel late c13 to c14 century, the tower is ashlar faced and has pinnacled battlements. Perp. aisle walls, the foundations again Sarsen stones. Pagan saxon cemetery, 1 mile ssw. Excav.in1969, 60 burials, adults and children, many well dressed and probably of the earlier 6th c. The cemetery overlies an iron age settlement.

Adam's Grave; 1 mile nne....Chambered long barrow with prominent side ditches. Part of burial chamber is exposed at the se end. The barrow, which is of classic wedge shaped is supported by a retaining wall of upright sarsens and oolitic dry stone walling(the latter now buried beneath barrow material). Excavated C18, skeletons and arrowheads found. Wodnes Berg, Wodens barrow mentioned in a Saxon land charter of Ad 825 and which gives its name to two battles fought near by in Ad 592 and 715

Looking towards Adams grave

Pewsey church was standing in 1086, when it was held by Rainbold the priest: that it was then referred to as standing on the king's estate may suggest that it was built before 940. (fn. 45) In the 13th century and until the earlier 15th the church was served by both a rector and a vicar. (fn. 46) In 1440 the vicarage was consolidated with the rectory, (fn. 47) which in 1991 was united with the united benefice of Easton and Milton Lilbourne and the rectory of Wootton Rivers as Pewsey benefice. (fn. 48) The advowson of the rectory belonged to Hyde abbey, the lord of PewseyFrom: 'Pewsey', A History of the County of Wiltshire: Volume 16: Kinwardstone Hundred (1999

Pewsey Church

REINBALD the priest holds Avebury church with two hides according to the Domesday Book,

REINBALD the priest holds Pewsey church with 1 carucate of land. Other land held by the Abbey of Winchester, also Arnulf (presumably of Hesdin) holds two hides (he could not be separated from them) Edric holds 1.l/2

Archaeological evidence of Saxon* terrace cultivation on the side of Pewsey Hill along with burial mounds know as "barrows", show that this area was settled as long ago as the 6th century CE** with possible evidence of an underlying Iron Age settlement dating as far back as c. 300 BCE**†. Evidence of post Roman culture has been found all along the Avon and Kennet river valleys with additional discovery of a Roman mosaic pavement in Manningford Bruce.

Literature from the Saxon era refers to Pewsey as "Pevisigge"or "Pev’s Island" after a local land owner named Pev. It gained its charter in 940 CE and the Parish was granted equal portions of river meadow, woodland and downland grazing land. The original charter is now preserved at Winchester College, a Public (privately run) school in Winchester

Tockenham Church

This church is not of notable interest, but the reused roman stature embedded in the wall probably came from the roman villa nearby.

"Roman tesserae, tile fragments and pottery sherds were found at Tockenham and a possible villa was suggested. The site has been subject to investigation by the Time Team in 1994 and was confirmed as being a villa with associated structures, probably dating from the 2nd to 4th centuries. Finds from the excavations have included pottery, tesserae, window glass fragments and roofing tile. Scheduled. " taken from Pastscape Monument No.887838.

"The Rod of Asclepius symbolizes the healing arts by combining the serpent, which in shedding its skin is a symbol of rebirth and fertility with the staff, a symbol of authority, befitting the god of Medicine. The snake wrapped around the staff is widely claimed to be a species of rat snake,Elaphe longissima, also known as the Aesculapian (Asclepian) snake. It is native to southeastern Europe, Asia Minor and some central European spa regions, apparently brought there by Romans for their healing properties." taken from Wikipedia.

The snake wrapped round Aesculpius's rod is a single snake and not to be confused with Mercury's double snakes..There are also wooden posts embedded in the south wall of the church - Pevesner says, that inside, the bell-turrets stand on old posts, and that they are flanked by new timber-framed work.

Poetic metaphor - the gender bias

Silbury Hill

I think Gaia was a virgin
when the men came
took their dreams out
and buried them deep inside her
Then they wandered the fields bewildered
carved circles on rocks
and built stone chambers
trying to decipher
What is this great mound?
Surely it holds such plunder?
Oh you silly men
with your measuring strings
sandals tattered and torn
Everyone knows
this mound
is just a belly full of gods
waiting to be born

Persephone Vandegrift

---------------

Silbury hill

Bones of our wild forefathers,
O forgive,
If now we pierce the chambers of your rest,
And open your dark pillows to the eye
Of the irreverent Day!
Hark, as we move,
Runs no stern whisper through the narrow vault?
Flickers no shape across our torch-light pale,
With backward beckoning arm?
No, all is still.
O that it were not!
O that sound or sign,
Vision, or legend, or the eagle glance
Of science, could call back thy history lost,
Green Pyramid of the plains, from far-ebbed Time!
O that the winds which kiss thy flowery turf
Could utter how they first beheld thee rise;
When in his toil the jealous Savage paused,
Drew deep his chest, pushed back his yellow hair,
And scanned the growing hill with reverent gaze,
-Or haply, how they gave their fitful pipe**
To join the chant prolonged o'er warriors cold
. -Or how the Druid's mystic robe they swelled;
Or from thy blackened brow on wailing wing
The solemn sacrificial ashes bore,
To strew them where now smiles the yellow corn,
Or where the peasant treads the Churchward***path.

Emmeline Fisher

A couple of months back I read a book on the Wild by an author whose names escapes me, but at the time she made a point of how we use language to describe the 'conquest' of mountains. Now this idea probably started in the late 19th and early 20th century, and probably has its roots in Imperialism. But she made striking examples of how in the literature of that time, the words used to describe ascending the mountains, had more to do with the relationship between men and women. For instance, a mountain or a wild place such as the North and South Poles has to be conquered, subdued, tamed, brought into submission, yet for a women's interpretation of these words we might see rape or violation of these places, and of course quite a few men see exactly the same today.
A parallel can obviously be drawn with Silbury, the several tunnels have the same implication of violation, giving rise to the fact that Silbury is a female, though of course in defence the 'femaleness' of the mound is a modern definition, brought on by theorising of the 'mother earth' analogy.
The Persephone Vandegrit poem illustrates this perfectly, she has taken on board the notion that Silbury is a goddess, giving birth to gods, a subtle trick of female superiority is played here 'O you silly men' messing around with their bits of strings and spiral rock art. Gaia is a 'virgin' despoiled by men. It is the intuitive response of a woman one sees in this poem, similar in fact to the rape of the virgin farmed landscape around Tara that has a motorway being constructed through it. The rape here is defined by the historical and sacred nature of the landscape round Tara, how it lies in the heart of the Irish people, caught up in poetry and myths.
Now taking Emmeline Fisher's response, that of a young girl, we see something slightly different.
She falls back on the imagery of the 19th century, Bones of our Wild forefathers, please forgive, now we are viewing the pagan druid with all that fanciful stuff that has been written about, there is no hint of our female Silbury here, only that Of science, could call back their history lost, it is a plea to stop the wrecking of an old monument that has so much history written into it. Science as we know is incapable of calling back history, it can only summarise and deduce from the little known facts that are left behind.
To return to modern day poetry and its interpretation of the femaleness that imbues Silbury, perhaps in itself there is a false trail being left here. Fecundity of nature, giving of nature, the goddess Gaia is something that has built up in the mythology of religion and belief through the last 20th century, Ronald Hutton was at pains to deny the 'mother goddess' in nature, a storytelling trick used by 20th century feminists in the battle for equality...
In all this, when addressing one's own viewpoint, either from the imagination or the practical side of our nature, we are very subjective in our approach , the heart is too easily moved in poetry - there is poetry written from the soul or there is poetry written to a particular fashion., either way we have to judge impartially.

Notes

Reading David Field's Earthen longbarrows gives rise to some thoughts as to reasons how some things might have been viewed in neolithic age....
1) Turf; - symbolic removal of turf to cover longbarrows, could be that land that is stripped for cultivation, would have a special symbolic significance - not all land only virgin territory?
Regeneration or renewal, a setting aside of earth that is sacred, which perhaps goes back to the 'goddess' image of the earth. This can be seen at Silbury - the primary mound 'captures' in its turves, flowers and seeds to be carried into the future? (immediate covering of this small mound) or, back into the past, or a giving to the the earth. Whatever, turf is important, for it comes from many different places within the landscape.
2) Ditches can be seen as barriers to keep 'evil' spirits out but they also can be seen to keep spirits/ancestors confined to the longbarrow. Silbury has ditches with a narrow causeway to the south?, the water is a barrier, only a chosen few can walk across the causeway - similar to a stone circle.
3) Water; water represent s something - it is a mirror... it can be motionless, or in a river running towards a particular landscape. You can hear running water 'talk' but still water reflects the outer world, though in a sense drawing you into another liminal world when you look down into its depths.
Our modern world is defined by the 4 compass points N/S/E/W, yet neolithic understanding would only be aware of the circular nature of the world - the sun rising in one part and traversing its path through the sky to the other side, until it disappears.
So if the the causeway faces towards the zenith of the sun what does it signify, WKLB faces the rising east sun, and EKLB faces N/E?
So do the 'spirit/ancestors' escape from these two longbarrows, or trapped by the ditches, and the filling in of WKLB made sure there was no escape.
What are the spirits captured in Silbury then, if any, ancestors? strange beings that inhabit the landscape as seen in the strange shapes of the sarsen stones, so eloquently expressed on the Avebury stone circles.
Neolithic people ask the earth to regenerate its bounty - food, pottery, bones of animals, bones of people - rebirth? Another world to be travelled to as with the Beaker people who take their goods, - drinking mugs,weapons and jewellry with them.
Silbury has none of things - a large mound, empty of human bones?
Past, present,future; was Silbury a great undertaking to ask the earth/gods/ancestors to replenish diminishing resources - why then use up so much of the earth's resources?
What is the kernel of truth that lies buried at the heart of Silbury - not gold, not bones, not a goddess figure - but the earth itself. A miniature landscape, a mound surrounded by water from which at the top you could see all the different horizons of the downs, a place to see the'coming' of the winterbournes?
Captured spirits,seeds, land; Human bone is unimportant it is the essence, the soul...animus mundi occupying both people, animals and land, melding together they are an integral part of the fecund side of nature - no death, only all this living tissue of life coming and going through time, same animals, same humans, same plants....
Stone rivers in the landscapes; Piggledene, Fyfield Down, the field round Devil's Den, up to the 1940s was apparently covered in sarsen stones, the mound being undistinguishable...
Covering of Silbury - the layering "toblerone" effect as experienced by Atkinson.
Longbarrows round Silbury, do they represent territores, being built of the edge of land of different clans. So does Silbury pull those territories together, does she stand at a centre representing a tribal confederacy - a meeting place by the waters of the winterbournes..

Bath's Heritage at Stake

"The tendency to pass "desirable" planning applications regardless of planning policy and guidelines appears to be nationwide, so a press release has been sent to the national dailies bringing attention to the issues.!

Latest news from Bath Heritage Watchdog

http://www.bathheritagewatchdog.org/images/wakeupbritain.pdf

HERITAGE IS 'NO BARRIER TO AREA'S DEVELOPMENT'

A bid to use Bath's international heritage status to fight off plans for new development to the south of the city looks likely to fail.Bath and North East Somerset Council had argued that housing and business developments on the southern edge of Bath could threaten its status as a World Heritage Site.But an independent panel analysing comments on a massive blueprint for the future of the South West has rejected this argument - and has also angered council chiefs by suggesting that around 3,000 extra new homes could be built around Keynsham.It has told Communities Secretary Hazel Blears that development can be allowed to the south of Bath, and that the "critical area" intended to be protected by the rare WHC status was "the compact city set in the hollow in the hills".The panel concludes: "We consider that there is some scope for development that would not threaten the special character of the city. Bath is a living city and needs to be planned accordingly. We conclude that consideration should be given to the provision of employment land on the southern edge of Bath."The panel was commenting on the South West Regional Assembly's Regional Spatial Strategy (RSS) document, which looks at the way the housing and employment needs of the region can be accommodated in the next 20 years.The panel says the RSS's estimate of the number of jobs that can be created in Bath is higher than the 8,500 suggested by B &NES Council.It adds: "We are not convinced that development on the southern edge of the city adjoining normal suburban development threatens the integrity of the historic, high density city within the hollow in the hills."It also says that just because land is in the official Cotswolds Area of Outstanding Natural Beauty zone around Bath, this should not mean it cannot be developed. The search is on for sites to the south of the city to accommodate 1,500 new homes.People in Keynsham have pledged to fight any suggestion of development that might weaken the green belt that separates Bristol and Bath.But the panel says 3,000 new homes can be accommodated in and around the town and says these can be built without blurring the distinction between the two cities.The panel also calls for better rail services between Bath and Wiltshire and says the need for action to protect Bath from the effects of through traffic must be kept under review.B &NES Council cabinet member in charge of planning Cllr Charles Gerrish (Con, Keynsham North) said he was "shocked and disappointed" at the recommendation for the town he represents.He said the council would "make the strongest possible representations" on the issue.If the panel's suggestion is taken up, the number of new homes to be built in B &NES over the next 20 years would rise from an original suggestion of 15,500 to 18,800.The panel also rejected a suggestion that the green belt should be extended in the Midsomer Norton and Radstock area.Last year, the draft RSS was examined by an independent panel appointed by Ms Blears, who invited more than 200 organisations and individuals to take part in public hearings held in Exeter.Following the publication of the RSS last week, the next stage will see the minister consider the report along with the representations which were previously submitted.Her proposed changes are expected in the spring, which will be followed by a 12-week period of consultation on any suggested amendments.The panel report can be downloaded from the website ....the rest of the article can be found at the following link...


http://tinyurl.com/2eojvp

The 'bowl of Bath City' seen from the West

Taken from Kelston Hill

Looking towards Bitton

Looking towards Keynsham and Bristol

Document as to redevelopment of 1500 houses. area of Urban extension to Bath. The Cotswold outstanding Natural Beauty

http://tinyurl.com/3a7gfw

Saxon Avebury

All is troublesome
in this earthly kingdom,
the turn of events changes
the world under the heavens.
Here money is fleeting,
here friend is fleeting,
here man is fleeting,
here kinsman is fleeting,
all the foundation of this world
turns to waste!

taken from the Anglo Saxon "Wanderer" full text here;
http://www.anglo-saxons.net/hwaet/?do=get&type=text&id=Wdr
Here we come to the sparse written words of the saxons and their invasive presence on the scene of a probably very untranquil late British land of fortified hillforts.Burl gives the name Aureberie as first mentioned in the Domesday book, probably belonging to one of the first settlers by the earthwork "Afa's Burh" but this is of course late 1086. Early saxon settlement in the Glebe field car park west of the henge, probably a single homestead by the river, was found when a 9th century "grubenhaus" was excavated, this later developed into a rectangular enclosure, surrounding the church and regular house plots, extending westward from the west entrance of the henge towards the Winterbourne- probably late 9th/ 10th.Avebury.
Earlier settlement would have developed round the Herepath , military saxon road, and this can be traced to the west of the henge where regular plots of land are laid out perpendicular to the east/west of of this road, also in times of emergency, the henge itself would have provided good protection for stock and people. It is conjectured that Avebury was probably a "failed" town, Marlborough becoming dominant.
The church of St.James, that lies at the heart of Avebury has displaced anglo saxon sculpture,(as do so many churches in this area have); the north-west corner of the present nave is composed of side alternate megalithic quoins with a fragment of A/S sculpture of late 9th/10th century, originally part of a cross shaftor coffin lid, indicating that there was an earlier masonry church here, contemporary with the burh. The A/S chancel was discovered during restoration in 1878, it was shorter than the present one.Burl says that although the font in this church is elegantly sculptured in a much later style (Scandinavian) it would have been an early undecorated a/s font.

Likewise the english king and the prince,
Brothers triumphant in war, together
Returned to their home, the land of Wessex.
To enjoy the carnage, they left behind
The horn beaked raven with dusky plumage,
And the hungry hawk of battle, the dun coated
Eagle, who with white-tipped tail shared
The feast with the wolf, grey beast of the forest.
Never before in this island, as the books
of ancient historians tell us,
was an army put to greater slaughter by the sword..

taken from the Anglo Saxon Chronicles
---------------------------------
Three ancient roads ran through the parish, the Ridge Way, the Roman road, and Harepath Way, the path of which has been traced for 1 km. along the edge of West Down. In the 18th century the London-Bath road ran through West Kennett to Beckhampton, crossing the Kennet south-east of Silbury Hill. At Beckhampton the road forked. One branch continued northwestwards to Cherhill, the other led southwestwards, reaching Bath via Sandy Lane in Calne. Both were turnpiked in 1742. (fn. 43) The more northerly branch became the modern LondonBath road, the principal route through the parish. West of Beckhampton its path was moved slightly to the south in 1790 (fn. 44) but it had returned to its original course by 1889. (fn. 45) In the early 18th century a coach road led over the downs from Marlborough towards Avebury village. It entered the Circle from the east and apparently turned south-west across the Kennet to Beckhampton. (fn. 46) The downland route fell out of use after the London-Bath road was turnpiked (fn. 47) and was marked only by a track in 1979. In 1675 a road to Devizes left the London-Bath road near Silbury Hill. (fn. 48) In the 18th century the main route to Devizes within the parish was part of the Bath road via Sandy Lane. The road from Beckhampton to Avebury was turnpiked in 1742 and that north of Avebury in 1767 to form the SwindonDevizes road. (fn. 49) Another turnpike road linked Avebury and West Kennett. The lane leading from the London-Bath road to East Kennett was turnpiked in 1840 as part of the West Kennett to Amesbury road, one of the last roads in England to be turnpiked. (fn. 50) The bridge over the Kennet between Avebury and Beckhampton was replaced in 1950 (fn. 51) and a roundabout built at Beckhampton c. 1960. (fn. 52) Few changes occurred in the pattern of secondary roads between the late 18th century and the 20th. A path which skirted Avebury village to the north and west in the 18th century had, however, disappeared by 1979. The main street of Avebury village was linked by a footbridge with the network of lanes west of the river which connected the farms and houses of Avebury Trusloe. From a point on the old road to Marlborough some 700 m. east of the Circle, tracks radiated to Winterbourne Monkton, Chiseldon, and West Overton. In the 19th century new or improved tracks were made to South Farm on Avebury Down, Windmill Hill, and Beckhampton Penning south of Beckhampton. An older path led from Beckhampton village to Tan Hill in All Cannings. Further east a path ran from the London-Bath road at West Kennett to East Kennett across a bridge perhaps built in the late 18th century. (fn. 53) Avebury village was one of the larger settlements in Selkley. Its assessment
From: 'Parishes: Avebury', A History of the County of Wiltshire: Volume 12: Ramsbury and Selkley hundreds; the borough of Marlborough (1983), pp. 86-105.

URL: http://www.british-history.ac.uk/report.aspx?compid=66519. Date accessed: 13 January 2008.

The Abdication of Belief

Those - dying then,

Knew where they went

They went to God's right hand

That hand is amputated now

And God cannot be found -

---------

The abdication of belief

Makes the Behaviour small

Better an Ignus Fatuus

Then no illume at all

___________________________________

This poem I heard last week on the radio programme"Something Understood". It is something Emily Dickinson wrote when she had a crisis of belief, therefore "The Abdication of Belief" is a familar term to describe this moment when religious people go to that dark place of the soul and question their belief. An Ignus Fatuus is similar to a small flare of light, or 'will of the wisp' that lights up for a brief second.

The youtube video below plays music by Youssou N'Dour, accompanied by Pete Gabriel, who lives down the road in Box and is famous in megalithic terms for his song - Solsbury Hill
A song was played on the programme called Red Clay, and my son downloaded the album for me this week. So much of what comes out of Africa news is miserable, and yet the music is marvellous. Africa is a land full of different countries and tribes, to always view it in terms of poverty, aids and disaster is only to present one side. It also has vitality, sun, many cultures and languages that are different to our own culture.

http://uk.youtube.com/watch?v=9ldouV5_atY&feature=related

Dedicated to the King of Bling and the Talent scout! - Ephraim and Mark, and if that one doesnt work.....

http://uk.youtube.com/watch?v=rAFU0ssYxRk

Sara and friends

Meeting with deer

This not very good photograph taken early on Sunday morning captures a beautiful tension between me taking the picture, the dog commanded not too chase and the deer by the wood holding its ground. All captured in the warm light of the rising sun.
We are all three animals but our neural cells work differently, my brain is considered higher than the other two, but both the dog and the deer are also finely honed to survive in their own environment. One is wild, the other tame and therefore under authority, (the dog happy to be part of human life,) the wild deer on the other hand has no such shackles and yet is aware of both the human and dog is standing his ground - a balance of mutual understanding is achieved.The deer won the day and moved off into the woods but this earlier photograph shows Moss chasing a second deer, albeit slowly because he did'nt want to catch up with it.

A different relationship exists between the ferns and the trees. The breakdown of the bark of the tree has allowed the ferns to grow in this damp cool environment, a fragile ecosystem that may have been threatened by the removal of old thorn bushes in front of the tree.

The Skinner Diaries

The Reverend Skinner left three large iron bound chests to the British Museum of diaries many of which are valuable records of the drawings and excavations he made during his life. It is calculated that they run to 25000 pages, half of which relate to his native Somerset.
There is an ongoing project to publish some of his drawings in CD format - Cornwall, Devon, Hadrian Wall or the Wansdyke which will be listed by the British Library. This will enable researchers to access sets of specific localities. It is a long process and his pen and ink drawings are often very naive but also of course very informative.

ref; CBA for South West England.

One further note;
The Reverend William Lisle Bowles of Bremhill, apart from writing poetry, wrote The Parochial History of Bremhill, and also either published a separate pamphlet on the Stupendous Monuments of Antiquity in the Neighbourhood of Avebury, Silbury and Wansdike, or that these illustrations appeared in his Parochial History. One book appears to be in the local library Service.

Christmas Reading

For the last few days I have suffered with one of those interminable sick headaches that have plagued me through life, Christmas day I managed but in the evening I read Richard Jefferies -After London, Wild England, from cover to cover.
My feelings towards the book are mixed, I know his writing from Secret of My Heart and Life in the fields, the former book being an emotionally intense desire to reach the very essence of his soul, the latter a joyous hymn to the intricate wonders of nature.

But what of Wild England, following his mind for me is easy, so here he is constructing a fabled barbaric England from his own beloved landscape, the hero, or perhaps anti-hero, Felix is probably himself. The setting is an Iron age depiction of small territories dominated by overlords, this is not Wm Morris's utopian vision of News From Nowhere, in Jefferies book wild men haunt the forests and woods, slaves serve the illiterate noblemen, there are several castes of people. The shepherds in the hills, the gypsies, the barbaric men in the woods, and lastly small despotic kingdoms carefully guarding the remains of old iron tools, pieces of glass, fragments of manuscripts.
This is the fall of civilisation as seen from a nineteenth century viewpoint, It is a fall of the new industrial Victorian rise to power and domination. He centres this fall on London, for it is here that the worst has happened. Nature has taken over England, impenetrable forests, a great lake sits at its heart, stretching down from the City (which was once Oxford) though now it has a different name, right through the heart of the West country down to London. The lake is a beautiful place with forests down to its sweet waters but when it approaches the great city of London terrible things have happened.
A great sulphorous yellow mist hangs for miles across this last stretch of the Lake, to enter it is to court death. No animal or bird life lives, the waters are black and oily, vegetation rank and dying, great bubbles of noxious gas escape the waters every now and then. London has descended into an evil marsh land, sinking into the depths of its own sewers and basements. Felix enters this terrible landscape at one point and Jefferies eloquently describes how Felix walks across a ground black with a sooty deposit, the remains of long dead people. He touches buildings that crumble to dust, and a great sense of lassitude that is brought on by the foul air, makes him stumble and walk with his back bent.
But perhaps I should go back to the beginning of the story, I have described Felix as an anti-hero, he is the eldest son of a nobleman in Aquila, but he is no brave knight, he would rather read the few precious manuscripts that still exist, or draw his ideas for new fangled inventions. He is often bad tempered and because he is poor, miserable with his lot in life. He loves Aurora who lives in the kingdom of Thyma but he is not seen as a suitable suitor. At the beginning of the book he manages to construct a boat, for he wants to sail round the Lake, which is of course unmapped and discover its length and breadth.
The whole environment of the landscape is painted as hostile, wild dogs, there are three different types that have evolved that now haunt the woods, are liable to attack. Wild pigs and boars are also prolific in the woods and forests, and then there are the human dangers, the Bush men, who, happen to use poison on the tips of their weapons, his material for his fiction writing can be found in the books that he has read.
The Lake must centre on his beloved Coate, and its waters, and sailing on a boat there in his childhood. Here in the book he has changed Coate Waters to an uncharted large inland lake, fed by rivers, dotted with small islands and ringed with cliffs and beaches, in which he, our intrepid hero would sail around and explore. He has adventures on the way, meets with humiliations, but in the end he triumphs.
His braveness in sailing into the terrible territory of London earns him respect and leadership amongst the shepherds that live in the hills. He becomes their overlord, and can muster 8000 men to his service, but he refuses to be their leader, only asking of the tribal elders that he should be their leader in war should it happen. In the final chapter we see him heading back to Thyma to Aurora, for he has found a territory to settle in and build a tower, and the last words are of him setting out through the forest to bring her back.
My mixed feeling for the book comes from that which is brilliant in his description of the landscape and the different world he has conjured up, to perhaps some of the things that he draws upon which are rather imitations of other books. But overall the story is captivating and warrants a full reading from beginning to end to uncover a mind that rebelled against the society he lived within. A mind that constructed another world, not necessarily better, but a different world in which our hero could change some of the injustices and cruelty that abided there.

A poem by Jeremy Hooker - Landscape of the Daylight Moon

http://www.poetryarchive.org/poetryarchive/singlePoem.do?poemId=6418

Jeremy Hooker is a great admirer of Richard Jefferies and has compiled some of his essays into a book which can be found at Green Books.

Christmas Eve

Ransoms along the Cotswold Way

Two more days than it will all be over - thank goodness, everyone will rush out to the sales and life will return to normal. The year has turned the corner, and the days will slowly become light again. Flowers will return, emerging from under the dark soggy leaves. I cannot wait for the return of flowers, the last winter rose hangs forlornly on the trellis but soon there will primroses, ice cold snowdrops, the mauve crocuses with yellow hearts that have been spreading slowly over the years. Dark tips of tulips push up from the earth, hanging catkins from the hazel tree.
This last weekend has been cold, but with marvellous skies in the morning. Dawn, that spiritual time between dark and light is extraodinarily beautiful at this time of year. The great wide skies viewed from the Downs, is a slowly changing painting of colour and shape. The full moon on Saturday, illuminated by the rising sun, had a soft rose pink hue, so different from its cold white colour, it was almost a pale sister of the the sun. Both sun and moon figure together during the winter months, the sun never quite managing to push the moon out of the sky.

The skies this morning were a soft pink and blue smudged across as if somone had thrown a paintbrush of water down, underlined by gray horizontal clouds. From the west dark rain clouds obliterate the softer colours, and the marvellous half hour of the sky lit up by the rising orange sun will disappear, and gray cloudy conditions will prevail but this magical time can be stored in the mind for now.
Twice over the weekend I have seen the golden plovers leaving their night nesting ground, they rise as one, perfect timing makes their flight an aerobatic wonder, the sound of their wings as they fly overhead is a soft swoosh but you can just hear the sound of an individual wingbeat and the sweet solitary call of - who knows - perhaps their leader.
Propped on my window is a print of "The Uffington Parade" and I am reminded of hares and Wayland Smith and the White Horse that gallops across the hills away from his Manger. She might belong to the goddess Epona, a swift sure footed creature, symbol of power and freedom, the wild exhultation of the wind and the sweetly flowered pastures that she gallops over, summer in full riot, in the print the sun merges with the moon as does the night and day sky and stars float haphazardly over Silbury, the long linking Ridgeway melding the wondrous act of nature with long dead people who over the centuries have created this small piece of the Earth.


Bluebells in the hedgerow

Dean Merewether's diary.

This is a tale of great archaeological explorations, or to put it more truthfully, how many barrows can you hole in one afternoon. Our nineteenth century vicars had a lot of time on their hands, after all God only calls them to work on Sunday, so being of the educated classes, with a bit of private money to boot, they amused themselves in various ways. Writing poetry is of course a leisured pastime, but being 'archaeologists', yes that is what he calls his fellow barrow-plunderers you can employ the 'rustics' to do the dirty work,whilst our Dean can come back in a few hours, and find the hidden secrets of the barrows.

His rapacious nature in searching for the monuments round Avebury leave one slightly sick, at the thought of how one man could do so much damage, and of course he was'nt the only one. Perhaps we should be pleased that he managed to record some of his findings, though unfortunately not in a form to be readily identifable. Apparently whilst he was watching the Silbury excavation, he joined up with the rector of Yatesbury Mr.Money Kyrle

At Yatesbury, several barrows intact, but not for long, Merewether sent men to open two large barrows, sadly he did'nt find much in the barrows, though they seemed to be large with fir trees on top. Lots of animal bones, including hare.

Two barrows in Barrow field, at least 20 feet high until the farmer reduced them 15 years previously. Layer of black substance, also a cist (barrow 18) contained an unusual quantity of human bone. A cist with a coffin of a hollowed tree, and a piece of cleft wood had been placed over it.

Nineteen century Poetry on Barrows

Ashen Hill Barrows 'excavated' by Skinner

The following extract is taken from The Reverend Charles Woolls' Barrow Diggers (1839)

----------------------------

Sepulchrum Tumulus Signat

Triumphant Death on his pale horse,
Hath boundless power to slay,
With hunger, sword, or sad remorse,
Whate'er returns to clay.

But still all Nature pleads in strains,
Which touch the tender heart,
Oh! Spurn not, spurn not the remains,
Of those who've felt the dart!

A grave the Patriarchs demand,
As strangers for their race,
The pyramids in Egypt's land,
Proclaim a resting place.

A lofty mound of earth declares

Interred their slain with care
And who shall disregard their pains
Or funeral rites impair.

for sacred are those spots of ground,
Which to the dead we give,
At the last day the trump shall sound,
And their dry bones shall live.

A good article on barrows can be found at the following link;

http://www.templeresearch.eclipse.co.uk/bronze/tomalin.htm

-----------------------

And of course Reverend John Skinner also wrote dire poetry, he seems best remembered for a long and doleful poem called 'Beth Pennard or The British Chieftan's Grave'

John Thurnham's article Examinations of Barrows on the Downs of North Wiltshire 1853-1857, describe a barrow 5 miles from Devizes heading towards Beckhampton, for the particular barrow Skinner's poem is attributed to...

----------------------

http://tinyurl.com/3d2utw

------------------------------

The feet beneath the verdant glade

by Bards a narrow cist is made

yet ample to contain

Those listless limbs, in speed and force

Which rival'd once the fleetest horse,

Light bounding o'er the plain.

Now filled the hallowed cup of clay

Withdrew from Cromlech's summit grey

Last night procured in locks of wool,

Filled it with care and filled it full,

Such beverage suits etherial sprite

Ere it ascends to realms of light.

Place it contiguous to the head

And o'er its mouth a covering spread.......

To a kind chief, who will revere

A chieftains relics buried here

One who with us delights to ken

The ancient works of Celtic man;

Who makes their labours by his own

Survive, when falls each magic stone,

or roaring midst the hills and groves,

View scenes which every Druid loves

The cup our benefactors hand...

--------------------------------

The cup in question is a rather beautifully decorated beaker cup, and though Skinner sees is as a beverage to suit an 'ethieral sprite', could it not be that this chieftan is the forerunner of those males that frequent pubs today, taking with him his glass of good cheer or ale to the liminal world beyond. And may one ask,would there indeed have been ale in this 'otherworld'. Many bronze age barrows do have these 'beaker' cups, and hopefully a leg of pork was also added so that he would not go hungry on his journey.

And Now to the last of my victorian poets, William Lisle Bowles, vicar of Bremhill for the last 25 years of his life. Again he is cited as having written something on barrows, but to date I have'nt found this particular poem. As Bremhill is a short distance from Calne, and therefore Avebury, it would have been thought that he would have visited and written about such places. But obviously history is not one of his subjects, he did indeed write a lot of poetry, the following link will take you to his book,

http://tinyurl.com/2uqnsx

but though a better poet than Skinner, skimming through all I came across was 'Hymn to Woden'. Some of these barrow poems are to be found in Colt Hoare's Ancient Wiltshire.

Working ones way through Victorian poetry, is often a dismal occupation, vicars are probably the worst; their sense of death and tragedy is strongly felt, and the mode of writing is somewhat pretentious. What stands out maybe, is how the books they read, classical allusions to Roman and Greek deities, tend to pass us by, but what is also interesting is the Druidical theme that stemmed from the 18th century. Stuart Piggott in his book The Druids is contemptuous of this 'new age' revival of the celtic religion, it is after all somewhat xenophobic, and to my mind the wilful eagerness to rob 'heathen' barrows of the 'treasures', that they may or may not have held, is a similar contempt for paganism.

Stonehenge barrows

Eight Ashen Hill barrows with the Nine barrows to the right of Moss

Lansdown Barrows

ref; Journals of a Somerset Rector 1803-1835 - John Skinner

Ancient Burial Mounds - L.V.Grinsell

The Druids - Stuart Piggott

Reverend John Skinner

Many years ago I read extracts from the Journal of a Somerset Rector 1803-1834 by John Skinner and came away with the impression that he was a miserable bad tempered creature. Reading his diary again does little to alter my first understanding of him, but on reading the book again, I have at least come to see why he was so miserable.

He was vicar of Camerton from 1800 to 1839 during this period he wrote his journals and during this time had to face a great deal of personal sorrow through the deaths of his immediate family and also as vicar at Camerton the deaths of his parishioners.

The village of Camerton is also famed in the archaeology record as being the site of a Roman settlement, and also having been mined for coal since Roman times, in fact the 'everlasting flame' on the altar of Sulis at Bath was said to have been fuelled by coal from here. Skinner also had a theory that Camerton was Camulondinum as well. Yes, Skinner was an antiquarian, like Dean Merewether he would saunter out in summer, and with a few miners lay waste to any barrow that took his fancy. We decry this vandalism nowadays, but these 'heathen savages' whose bones occupied these barrows were to our nineteenth century religious zealots a great curiosity, perhaps at the back of their minds, a trickle of uncertainity had begun to emerge at their own faith in an invisible god....

At least their imagination ran riot as to thoughts of white robed Druids performing unspeakable ritual acts in the stone circles and they were fascinated by this 'other' world - like the later writers who were to collect folklore of the British scene, or to put it more simply the naive superstitious stories of giants and fairies that roamed England - our vicars were also absorbed by the paganism of earlier history, which in turn had drifted down through the centuries, paganism was still rife in the countryside.

Skinner was sensitive, nervous and irritable.. a cantakerous individual tormented by the social upheavals that were happening in the early nineteenth century. He had to contend with drunken miners in his own parish, 'fallen' women, and a poverty that we can scarcely comprehend today. This was no pretty quaint village with thatched cottages as depicted by later sentimental Victorians such as Allingham, this was life in the raw.

To put it in the words of Virginia Woolf who wrote an essay on the man,

"Behind him lay order and discipline and all the virtues of the heroic past, but directly he left his study he was faced with drunkenness and immorality; with indiscipline and irreligion; with Methodism and Roman Catholicism; with the Reform Bill and the Catholic Emancipation Act, with a mob clamouring for freedom, with the overthrow of all that was decent and established and right...."

Skinner's archaelogical exploits have drifted across my path the last few years, the most famous of course being Stoney Littleton Barrow, but also nearer to my home the Charmy Downs Bronze Age Barrows, now destroyed by a first World War airfield, the barrows followed a linear path on top of the Downs. Also Skinner excavated (or dug down) the Ashen Hill barrows, a linear group of 8 barrows, very near to the group of the Priddy Nine Barrows, in fact these two groups make up a bronze age cemetery, not too far from the famous Priddy Circles.

All these eight barrows were investigated by the Reverend John Skinner in 1815, and all barrows produced one or more cremations. Some of these contained Early Bronze age urns and were covered with stone slabs (similar to Lansdown barrows cemetery). Three barrows had bronze daggers, one in a wooden sheaf. One barrow contained a rich burial which included beads and other objects of amber (maybe faience) and a miniature incense cup. from Ann Woodward - British Barrows........

http://www.themodernantiquarian.com/post/50742/images/ashen_hill_barrows.html

There is a poignant passage in his journals regarding the Mendips, and it has to do with the death of his favourite daughter Laura at fourteen years old in May 1820. A few months later after her death he had ridden up to the Mendips in a solitary manner, and in his diary had written the following passage;

"I could not help thinking how differently this morning was to be spent by myself, an obscure imdividual, on the desolate heights of Mendip, and the Queen of these realms in the midst of her judges in the most splendid metropolis in the world. Yet when half the number of years have rolled away which these tumuli have witnessed how will every memorial, every trace, be forgotten of the agitation which now fills every breast; all the busy heads and aching hearts will be as quiet as those of the savage chieftains which have so long occupied these hillocks"

But there were happier times in his life, and in 1822 he describes riding out with a party of friends to Stanton Drew Circles;...

"When the country in the vicinity was covered with wood, and the white robed Druid stood in solemn silence, each one by his stone of power in the centre of this gloomy recess, the scene of course was more impressive"

----------------------

The full horrors of death was an experience that he had to contend with as a vicar, as mentioned earlier. He lost his brother and two sisters to consumption in 1810, his wife must have also caught the infection for she was to become ill as well, in 1811 she gave birth to a daughter who died three monthslater of consumption. Then in 1812 his wife died. All this happened in a matter of short time, later on in life, after the death of Laura again to consumption, his son Joseph was also to die of the same illness.

In the village itself, death was commonplace, the coal mines were dangerous, men and children were occasionally killed by falling rock. Drunkeness was also a killer, a woman died horribly by falling on the fire in her home. Men fell down shafts inebriated, and on one occasion a man walking through a hedge into what he thought of as a field, in actual fact plunged down into a quarry. Age and poverty were also great killers, the two linking together, no social service to put food on the table or clothes on their backs of the poor, they must in the end succumb to a miserable death, sometimes in the poor house, sometime under a hedge or a barn.

Skinner mental health seemed to deteriorate after 1839, his journals became less interesting, and one day in October, armed with a pistol he strode out of his house and shot himself in a nearby beech wood. The Coroner's verdict gives some idea of the state of his mind; According to one source Skinner seems to have shot himeself in despair of his son's illness, again consumption, perhaps he could not face this death of his third child.

"The Rev. gentleman's health had been declining for sometime and his mind had latterly been very much affected. On Friday morning, in a state of derangement, he shot himself through the head with a pistol, and was dead in an instant."

Roman high status stone coffin found on Boscombe Down

http://www.24hourmuseum.org.uk/nwh_gfx_en/ART52638.html

Winter Poems

Both the following Irish poems are taken from Grigson's The Cherry Tree, I make no apology for repeating Finn's words, his sparse words conjure up a word picture more accurately than many a modern poet, though the poem was probably written a thousand years ago. Like the unknown Saxon who wrote of the ruined Roman walls of Bath, language that is finely tuned strikes to the heart of its subject....

...Sad are the birds of every meadow-plain

(except the ravens that feed on crimson blood)

at the clamour of fierce winter;

it is rough, black, dark, misty.

Dogs are vicious in cracking bones;

the iron pot is put on the fire

after the dark black day.

=====

The Words of Finn

My words for you;

Stag ruts and bells,

Winter pours down,

Summer has gone.

----

Wind's high and cold,

Low is the sun,

Briefer its run.

Runs the sea strong.
----

Turns red the fern,

Broken its form.

Habit is hearing

The wild goose's song.
-----

Season of ice,

Wings of the birds

Caught by the cold.

These are my words.

======

From the Old Irish

Scél lemm dúib:

dordaid dam,

snigid gaim,

ro-fáith sam;

gáeth ard úar,

ísel grían

gair a rith

ruirthech rían;

ro-rúad rath,

ro-cleth cruth,

ro-gab gnáth

giugrann guth;

ro-gab úacht

etti én

aigre re

é mo scél.

It is interesting to see the original Irish and the english translation,, which is a 'near' translation not an equivalent. Language is first and foremost a spoken medium, a storytelling occasion filled with the drama of the words, celtic and saxon bards would use the darkened halls lit only by firelight and candles to convey the strong impressionistic flavour of winter and its rawness.
Belling is descriptive of the noise of the animal, and it occurs in a Celtic tale told of a giant of a man with one eye and only one foot. He is probably a local god modelled on Cernunnos, the stag-headed god.
The story goes that Cynos approaches this giant of a man and asks him "what power he had over the animals". The giant replies 'I will show you little man' upon which he strikes a stag a mighty blow till it gave out a might belling, and in answer to its belling wild animals came till they were as numerous as the stars, a rather beautiful analogy as the animals gathered around.
The giant tells the animals not to graze and and then they 'bowed down their heads and did him obeisance, even as humble servants would do to their lord' These stories were already being interwoven with the christian stories, the myths stranding together.

The Peaked Red One or The Man in the Tree;

There is one more celtic story to tell, this again features Finn, who was walking through a wood one day and happened to spy a man sitting at the top of a tree. A blackbird on his right shoulder, and in his left hand a bronze vessel filled with water, in which swam a skittish trout, and a stag at the bottom of the tree. The man would crack a nut, half of which he ate himself the other half he gave to the blackbird. Then he would take an apple out of the bronze vessel, half of which he ate himself the other half he threw to the stag below. Then he would take a sip of the water in the vessel, as did the stag and the blackbird - they would all drink together.
The followers of Finn asked who this disguised hooded man was. Ann Ross speculates that this 'nurturer of animals' could be attributed to Cernunnos again or the romano-celtic god Vosegus, who has some of the attributes of the man in the tree.

and Grigson's own words on winter...

"and tonight, indoors, in winter, our bodies are idle, and our minds best at work; which is the great pleasure of the winter-time"

ref; Ann Ross - Pagan Celtic Britain

Geoffrey Grigson - The Cherry Tree

Two Verses from Thomas Hardy - To the Moon

'Have you much wondered, Moon,

On your rounds,

Self wrapt, beyond Earth's bounds?'

'Yea, I have wondered, often wondered

At the sounds

Reaching me of the human tune

On my rounds'

-----

'What do you think of it Moon,

As you go?'

Is life much, or no?'

'O, I think of it, often think of it

As a show

God ought surely to shut up soon,

As I go'.

Taken from Geoffrey Grigson - The Cherry Tree

Monday walk

Early morning

As I have a slightly different routine on monday for walking the dog, I walk nearer home up the slopes of the Lansdown. My walk takes me through several fields to Primrose Hill Wood, a newly established 25 acre wood situated midway between Beckford Tower and Weston.
On saturday I had driven to Braythwaite in freezing weather, a hawk had been sitting hunched and cold on a wire, normally he can be seen hovering with that perfect precision in the wind holding a perfect balance between earth and sky. Half a minute later two great buzzards swooped over the car, the feathered tips of their wings marking their great wingspan. I felt their hunger in the cold morning as they scouted for food. But Monday's weather was misty as we set up the hill.

View towards Kelston Round Hill

Moss in a renactment of last week when he lost a ball down a drain at the end of a track, managed to do it once more to his absolute astonishment, he gazed somewhat disbelievingly into the drain that now holds two of his unretrievable balls.A stick though will be found and his walk will bounce along in its normal way. The path through the fields is well used by walkers and MOD people who work at the old Foxhill outpost along the top of the Lansdown.

Coming up to Primrose Wood you are met by a steel gate fitted into the deer fence that surrounds the wood, there are many deer that live up on the slopes of the Lansdown, the land is not heavily farmed and they range quite freely.
The trees in the wood are now 10 to 12 foot high, and are growing strongly. There has been a 'suburban' hand in the choice and planting of shrubs and trees, a formality that jars one's expectation of a proper wood.

Moss by cotoneaster bush in Primrose Hill Wood

The trust has hung up notices asking for wild plants for insect life such as butterflies. Hemp agrimony I have in the garden and also Dames Violet, or Hesperis Matronalis to give it a more stately name, so next spring I will leave some there. The leaves are off the trees, except for the bright golden yellow of the larch firs, it is just a tracery of branches everywhere with the strong red wands of dogwood shrubs lining the path.
Primrose Wood is part of the linking corridor of woods that are part of the national reforesting scheme, Shiner's Wood under Kelston Hill is another newly planted wood, it will take many years before they achieve maturity and then decline with decaying grace as the old woods do that cling to steep escarpments.
On the way back I meet a dogwalking friend, and as we go through an old iron post gate on the path, he points out deer hair. Apparently last week a frightened deer had tried to force its ways through the 6 inch bars and had of course got jammed. The RSPCA came and hooded the little creature and then with a car jack forced the iron bars wide releasing the trapped animal.

The above shot is of the Lansdown, but there was once a barrow lurking just under the ridge on Flock Down somewhere, excavated in the 1960s by boys from the Royal School.

sightlines

The photograph below shows the various horizons to Silbury from East Kennet longbarrow, The Sanctuary, The Longstones Barrow, Beckhampton and West Kennet longbarrow; copied from his drawings in Symbolic Landscapes - Paul Devereux..

The West Kennet longbarrow sightline of Silbury has to be viewed from the far end of the barrow.....

Walking down from East Kennet longbarrow, and according to my photo the sightline just touches the ledge.

Overton bronze age barrow; the top of Silbury glimpsed through the trees



Silbury seen from The Sanctuary, again a sightline can be discerned.

A view of Silbury from The Ridgeway

Silbury from Avebury Truesloe - a beautiful sightline - but was it meant?

Its in the last of the photographs that an uncomfortable truth is revealed, the fact is that it would have easier to build Silbury on the flat ground here, at Avebury Truesloe but the Avebury people chose otherwise. They chose to build near the foot of Waden Hill, near to where the river curves round to join the spring at Swallowhead. It would seem that they were focussing on water, this was the central hub for the mound. True as Devereux points out that Silbury links up with all the major monuments in the area from this point except of course for the great stone circle, (though of course even here the mound can be viewed from the Obelisk site.) but the emphasis is surely on water.

The truth is we do not know the final height of the mound, it could easily have been higher, and levelled at a later date by the Saxons. The same goes for the ledge that Devereux uses in his thesis, this also could have been dug out by the Saxons as fortifications.

A Game of Henge - Stonehenge

A Game of Henge - Stonehenge

Phillip Gross

A game of Henge, my masters?

The pieces are set. We lost the box

with instructions years ago.

Do you see Hangman? Or

Clock Patience? Building bricks

the gods grew out of? Dominoes?

It's your move. You're in the ring

of the hills, of the stones, of the walls

of your skull. You want to go?

You want out? Good - that's

the game. Whichever way you turn

are doors. Choose. Step through, so...

And whichever world you stumble into

will be different from all the others, only

what they might have been,

you'll never know.

--------------

Why choose this poem to celebrate the end of the government's scheme to create a tunnel through the Stonehenge landscape? Maybe because the players in a different game - the government, the archaeologists, the planners, the locals and the protestors are a bit like the chess pieces on the board. They move about, sometimes one side wins and then the balance is reversed by an unexpected move. The unexpected move is of course in the case of the Stonehenge fiasco, money, it will cost too much, its as simple as that, no high minded right action, the act of expanding the road system around this fragile landscape is given a terse few words, which encompass the words "environmentally sensitive", they forgot 'archaeologically sensitive', as I fear the archaeologists did as well.

Still the battle is partly won, as Chris Woodford of Save Stonehenge made clear in a statement last week....

No-one with any sense wanted a tunnel, a flyover, a dual carriageway, and two whacking great interchanges here"

The Stonehenge landscape is a great deal more than the ring of stones that lie at its centre, its importance as a 'sacred' landscape, the great bronze age barrow cemeteries testify to this, should be taken into account; it is a palimpset, layered thickly with the footprints of generations of prehistoric people that have travelled to this place in honour of some long forgotten historic 'sense of place'. Today we do the same, though in truth, without the religious tag, but out of curiosity. Let us hope that when individuals 'play the game' at least they see that the goal of winning must be firmly on the side of Stonehenge set in a landscape that does it justice.

Of course the poem alludes to a disappeared world which we are unable to enter, locked "in the walls of your skull" we imagine past histories, construct elaborate theories. But there are no gods on high to whisper the secrets of Stonehenge.....

Stonehenge Today

Collecting theories

The Ridge with a line of rocks (teeth) protruding

Thumbing through my Flick'r account looking at photos last week, I came across the following comment which had been posted a few days ago. The photo is of a ridge with rocks protruding that reminded me of teeth, and absentmindly I had tagged it that it reminded me of Denke G. His theory of Stonehenge, or at least his dentist ancestor theories of the 17th century is another of those speculations that is worth collecting.I question his statement that ring ouzels and snow buntings are common migrants to Wales, but there again his Stonehenge theory is also very questionable.

Denke says;
Composed of hard Ordovician shale and mudstone compressed into slates with scattered fragments of rhyolite and dolerite - the famous bluestone that forms the inner ring of German dentist, historian and antiquarian Dr. Garry W. Denke's (1622-1699) great white shark teeth of Stonehenge - the Preseli Hills are the highest hills in Pembroke.The crag of Carn Menyn is the source of the Stonehenge pillars and nearby Bedd Arthur is the Preseli's own, rather unusual, eye-shaped stone circle.
There's a memorial to Welsh language poet Waldo Williams at Mynachlogddu. If you're lucky to get clear weather, you'll be able to see north to the Lleyn peninsula and west to the hills of Co. Wicklow in Ireland.
Keep your eyes peeled on the hill though as the bird life, particularly in the winter months, can be remarkable with living clouds of starlings congregating to roost there.Also look out for hunting buzzards and sparrowhawks. In the spring ring ouzel and snow bunting are common migrants.
Much of the upland is boggy and, as a result, very acidic so you can find rare acid tolerant plants like fir clubmoss, liverwort, ferns and orchids with insects like the marsh fritillary butterfly and the southern damselfly. Heather carpets the drier heathland in late summer look out for buzzards, kestrels, curlews, ravens and skylarks.
A very nice photo, thank you much.

Richard Jefferies - Life in the Fields

Wellow brook


A hymn to summer days

as I walked over the weekend in driving rain and wind, I remembered reading in Jefferies essays about the "harp of the earth" the natural sounds of the world around. Listening to the wind through the different branches of trees is something we should all do, even as it whistles in a storm and the rain beats down....

All the procession of living and growing things passes. The grass stands up taller and still taller, the sheaths open, and the stalk arises, the pollen clings till the breeze sweeps it. The bees rush past, and the resolute wasps; the humble-bees, whose weight swings them along. About the oaks and maples the brown chafers swarm; and the fern-owls at dusk,and the blackbirds and jays by day, cannot reduce their legions while they last. Yellow butterflies, and white, broad red admirals, and sweet blues; think of the kingdom of flowers which is theirs! Heavy moths burring at the edge of the copse; green, and red, and gold flies: gnats, like smoke, around the tree-tops; midges so thick over the brook, as if you could haul a netful; tiny leaping creatures in the grass; bronze beetles across the path; blue dragonflies pondering on cool leaves of water-plantain. Blue jays flitting, a magpie drooping across from elm to elm; young rooks that have escaped the hostile shot blundering up into the branches; missel thrushes leading their fledglings, already strong on the wing, from field to field. An egg here on the sward dropped by a starling; a red ladybird creeping, tortoise-like, up a green fern frond.Finches undulating through the air, shooting themselves with closed wings, and linnets happy with their young.

Golden dandelion discs--gold and orange--of a hue more beautiful, I think, than the higher and more visible buttercup. A blackbird, gleaming,so black is he, splashing in the runlet of water across the gateway. A ruddy kingfisher swiftly drawing himself as you might draw a stroke witha pencil, over the surface of the yellow buttercups, and away above the hedge. Hart's-tongue fern, thick with green, so green as to be thick with its colour, deep in the ditch under the shady hazel boughs. White meadow-sweet lifting its tiny florets, and black-flowered sedges. You must push through the reed grass to find the sword-flags; the stout willow-herbs will not be trampled down, but resist the foot like underwood. Pink lychnis flowers behind the withy stoles, and little black moorhens swim away, as you gather it, after their mother, who has dived under the water-grass, and broken the smooth surface of the duckweed.Yellow loosestrife is rising, thick comfrey stands at the very edge; the sandpipers run where the shore is free from bushes. Back by the underwood the prickly and repellent brambles will presently present us with fruit.For the squirrels the nuts are forming, green beech mast is there--green wedges under the spray; up in the oaks the small knots, like bark rolled up in a dot, will be acorns. Purple vetches along the mounds, yellow lotus where the grass is shorter, and orchis succeeds to orchis. As Iwrite them, so these things come--not set in gradation, but like the broadcast flowers in the mowing-grass.

Now follows the gorse, and the pink rest-harrow, and the sweet lady's-bedstraw, set as it were in the midst of a little thorn-bush. The broad repetition of the yellow clover is not to be written; acre upon acre, and not one spot of green, as if all the green had been planed away, leaving only the flowers to which the bees come by the thousand from far and near. But one white campion stands in the midst of the lake of yellow. The field is scented as though a hundred hives of honey had been emptied on it. Along the mound by it the bluebells are seeding, the hedge has been cut and the ground is strewn with twigs. Among those seeding bluebells and dry twigs and mosses I think a titlark has his nest, as he stays all day there and in the oak over. The pale clear yellow of charlock, sharp and clear, promises the finches bushels of seed for their young. Under the scarlet of the poppies the larks run, and then for change of colour soar into the blue. Creamy honeysuckle on the hedge around the cornfield, buds of wild rose everywhere, but no sweet petal yet. Yonder, where the wheat can climb no higher up the slope, are the purple heath-bells, thyme and flitting stonechats.


The lone barn shut off by acres of barley is noisy with sparrows. It is their city, and there is a nest in every crevice, almost under every tile. Sometimes the partridges run between the ricks, and when the bats come out of the roof, leverets play in the waggon-track. At even a fern-owl beats by, passing close to the eaves whence the moths issue. On the narrow waggon-track which descends along a coombe and is worn in chalk, the heat pours down by day as if an invisible lens in the atmosphere focussed the sun's rays. Strong woody knapweed endures it, so does toadflax and pale blue scabious, and wild mignonette. The very sun of Spain burns and burns and ripens the wheat on the edge of the coombe,and will only let the spring moisten a yard or two around it; but there a few rushes have sprung, and in the water itself brooklime with blue flowers grows so thickly that nothing but a bird could find space to drink. So down again from this sun of Spain to woody coverts where the wild hops are blocking every avenue, and green-flowered bryony would fain climb to the trees; where grey-flecked ivy winds spirally about the red rugged bark of pines, where burdocks fight for the footpath, and teazle-heads look over the low hedges. Brake-fern rises five feet high; in some way woodpeckers are associated with brake, and there seem more of them where it flourishes. Ifyou count the depth and strength of its roots in the loamy sand, add the thickness of its flattened stem, and the width of its branching fronds, you may say that it comes near to be a little tree. Beneath where the ponds are bushy mare's-tails grow, and on the moist banks jointed pewterwort;

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Ladies bedstraw on Stoney Littleton