The sand dunes with a stream making its way to the sea |
Remnants of old dunes |
Wooden posts found from the circle |
The double pronged entrance
The central upturned tree stump
Seahenge. Of course it is not a henge, not even a stone
circle but built with wooden posts around the spring of BC 2049. The diameter
of the circle was 21 feet (6.6m) with 55 closely fitting posts the circle averaging
out at about 10 foot high. The land on which it stood would have been different,
saltmarsh protected from the sea by sand dunes and mud with a mixed oak
woodland nearby. Tis a place of sacred
unknowingness, you may laugh but that central upturned trunk its roots reaching
out to the sky must hold some sort of secret. The archaeologists think that it
was used for excarnation, either for a great chief, or maybe for the small
group or clan who lived here.
When I first saw the upturned
tree, my initial reaction was that it was somehow a dinosaur, not quite dead,
still throbbing with slow life. It has
PRESENCE this tree, blackened and deeply fissured with age and a few model
carrion crows perch menacingly on the
edges of the mock-up wooden circle help create the drama. The tree stands in its glass cage watching
over the recovered wooden posts of the circle as they curve round on their
stand backed by a large photographic representation of the beach on which the
circle was found.
This beach at
Holme-Next-to-the-Sea must be your first port of call, drive down to the
village and turn left at the crossroads, (where it says Peddars Way) and there
is a car park further on. Walk over the wooden boardwalk by the dunes, the sand
stretches for ages down to the sea, and on the horizon about 50 sea wind
turbines stand like ghosts, blades idly turning. No mention of where the posts
were found on the information boards, and I suppose if you were lucky and
walked further on and the tide was out you may find the second wooden circle,
called Holme 2.
There are several theories mooted
on the boards that accompany the timbers, one is to do with the stripping and
non-stripping of the bark off the posts, most timbers had there bark left on
but one had been stripped, this one called ‘timber 30’ had its outward facing
bark stripped, maybe to represent an important person, maybe because it had
been struck by lightning thereby leaving a white bark. Firstly, it was said that the closeness of the
posts could be that the whole site was supposed to represent a tree stump, or
maybe each individual post represented a person, there were 55 posts in
all. The orientation of the first
timbers sunk was to the Midwinter sunset in the south-west and the Midsummer
sunrise in the northeast.
About half the timbers were
placed upside down, it could have been due to the fact that if driven into the
ground right way up the circle would have leant inwards towards the
centre. By placing them upside down they
cancelled this inversion, but there again at other Bronze Age sites inverted
objects were associated with death and human remains.
The narrow ‘entrance’ double
pronged timber was labelled 35/37 in the initial excavation because it was
thought to be two separate posts, there is a blocking timber 36 in front of the
entrance.
The great central oak stump, over
50 axes were used on this tree, and 3 holes bored into its lower trunk show
where it was dragged by honeysuckle ropes. Measuring about 2 and half metres
high by approximately the same width, think I read somewhere it was 150 years
old when cut down, there are two suggestions for why it was used, one being the excarnation
theory the other “a symbolic representation of the fruits of the earth and the
magical powers of trees, or perhaps a gateway to the underworld”
What to make of it all? Firstly,
one has to agree with the decision of digging the timbers up, if only to help
keep them for future reference and safe from further destruction by the sea,
and because of their special uniqueness.
The heart does stop for a few seconds as you view these old monster wooden
posts, my first impression was of the old wooden Scandinavian gods found in the
bogs – strange twisted and shaped… Alien, scary and dark! Imagination can run easily with Tibetan ‘sky
burials,’ especially as part of the exhibition houses another upside down tree
trunk to make the point that the roots easily cradle a human being.
Lynn Museum can be found to one
side of the bus station, so simply head for the train and bus station and park
in the car parks round there.
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