Monday, May 23, 2022

So now the copper weather cock is dead?

 Experimenting with fonts.  I wonder what Eric Gill would have made of our computer fonts?

A few days ago someone asked me what was my favourite poem and without thinking I replied 'Lob' by Edward Thomas.  Forgot about the poem until Sue of Suffolk mentioned the wild plant 'Jack by the Hedge' and wrote a small history of this rather unintrusive plant, only to be found at this time of the year with the orange tipped butterfly paying tribute to it.

I typed the name into my search box and Lob, amongst his many disguises through the ages came up as Jack The Giant killer who must have killed many giants from Yorkshire to Wiltshire.

What does Thomas catch in his poem?  The essential 'Englishness' of the countryside, the bucolic labourer who fishes for the moon in the pond, the richness of the hedgerows and the specificity of belonging to the land and its stories.  Some would argue we are trying to pick up those threads once again with our nature writing.  We live in a time when the assault of modernity strips the countryside of its magic.  Of course it can still be found if we go out and search for it caught in the fold of  the root of a tree, a lone violet holding on as bikes and feet thunder by, the intense blue of a bluebell wood or the heady honey scent of thick edges of cow parsley.   Turn our thoughts inward and tread very gently.  John Constable captured the magic at the mill, for one moment the world became still, the river slowed its flow, the dog stopped barking and the horse stopped drinking.




Tread lightly upon the Earth because the faces of the unborn look up at you. James Cameron.

                                                              ------------------------------


Lob by Edward Thomas


At hawthorn-time in Wiltshire travelling
In search of something chance would never bring
An old man's face, by life and weather cut
And coloured,--rough, brown, sweet as any nut,--
A land face, sea-blue-eyed,--hung in my mind
When I had left him many a mile behind.
All he said was: "Nobody can't stop 'ee. It's
A footpath, right enough. You see those bits
Of mounds--that's where they opened up the barrows
Sixty years since, while I was scaring sparrows.
They thought as there was something to find there,
But couldn't find it, by digging, anywhere.

"To turn back then and seek him, where was the use?
There were three Manningfords,--Abbots, Bohun, and
Bruce:And whether Alton, not Manningford, it was,
My memory could not decide, because
There was both Alton Barnes and Alton Priors.
All had their churches, graveyards, farms, and byres,
Lurking to one side up the paths and lanes,
Seldom well seen except by aeroplanes;
And when bells rang, or pigs squealed, or cocks crowed,
Then only heard. Ages ago the road
Approached. The people stood and looked and turned,
Nor asked it to come nearer, nor yet learned
To move out there and dwell in all men's dust.
And yet withal they shot the weathercock, just
Because 'twas he crowed out of tune, they said:
So now the copper weathercock is dead.
If they had reaped their dandelions and sold
Them fairly, they could have afforded gold.

Many years passed, and I went back again
Among those villages, and looked for men
Who might have known my ancient. He himself
Had long been dead or laid upon the shelf,
I thought. One man I asked about him roared
At my description: "'Tis old Bottlesford
He means, Bill." But another said: "Of course,
It was Jack Button up at the White Horse.
He's dead, sir, these three years." This lasted till
A girl proposed Walker of Walker's Hill,
"Old Adam Walker. Adam's Point you'll see
Marked on the maps.""That was her roguery,
"The next man said. He was a squire's son
Who loved wild bird and beast, and dog and gun
For killing them. He had loved them from his birth,
One with another, as he loved the earth.
"The man may be like Button, or Walker, or
Like Bottlesford, that you want, but far more
He sounds like one I saw when I was a child.
I could almost swear to him. The man was wild
And wandered. His home was where he was free.
Everybody has met one such man as he.
Does he keep clear old paths that no one uses
But once a life-time when he loves or muses?
He is English as this gate, these flowers, this mire.
And when at eight years old Lob-lie-by-the-fire
Came in my books, this was the man I saw.
He has been in England as long as dove and daw,
Calling the wild cherry tree the merry tree,
The rose campion Bridget-in-her-bravery;
And in a tender mood he, as I guess,
Christened one flower Love-in-idleness,
And while he walked from Exeter to Leeds
One April called all cuckoo-flowers Milkmaids.
From him old herbal Gerard learnt, as a boy,
To name wild clematis the Traveller's-joy.
Our blackbirds sang no English till his ear
Told him they called his Jan Toy 'Pretty dear.'(She was Jan Toy the Lucky, who, having lost
A shilling, and found a penny loaf, rejoiced.)
For reasons of his own to him the wren
Is Jenny Pooter. Before all other men
'Twas he first called the Hog's Back the Hog's Back.
That Mother Dunch's Buttocks should not lack
Their name was his care. He too could explain
Totteridge and Totterdown and Juggler's Lane:
He knows, if anyone. Why Tumbling Bay,
Inland in Kent, is called so, he might say.


Kent, is called so, he might say."
But little he says compared with what he does.
If ever a sage troubles him he will buzz
Like a beehive to conclude the tedious fray:
And the sage, who knows all languages, runs away.
Yet Lob has thirteen hundred names for a fool,
And though he never could spare time for school
To unteach what the fox so well expressed,
On biting the cock's head off,--Quietness is best,--
He can talk quite as well as anyone
After his thinking is forgot and done.
He first of all told someone else's wife,
For a farthing she'd skin a flint and spoil a knife
Worth sixpence skinning it. She heard him speak:
'She had a face as long as a wet week'
Said he, telling the tale in after years.
With blue smock and with gold rings in his ears,
Sometimes he is a pedlar, not too poor
To keep his wit. This is tall Tom that bore
The logs in, and with Shakespeare in the hall
Once talked, when icicles hung by the wall.
As Herne the Hunter he has known hard times.
On sleepless nights he made up weather rhymes
Which others spoilt. And, Hob being then his name,
He kept the hog that thought the butcher came
To bring his breakfast 'You thought wrong,' said Hob.
When there were kings in Kent this very Lob,
Whose sheep grew fat and he himself grew merry,
Wedded the king's daughter of Canterbury;
For he alone, unlike squire, lord, and king,
Watched a night by her without slumbering;
He kept both waking. When he was but a lad
He won a rich man's heiress, deaf, dumb, and sad,
By rousing her to laugh at him. He carried
His donkey on his back. So they were married.
And while he was a little cobbler's boy
He tricked the giant coming to destroy
Shrewsbury by flood. 'And how far is it yet?
'The giant asked in passing. 'I forget;
But see these shoes I've worn out on the road
And we're not there yet.' He emptied out his load
Of shoes for mending. The giant let fall from his spade
The earth for damming Severn, and thus made
The Wrekin hill; and little Ercall hill
Rose where the giant scraped his boots. While still
So young, our Jack was chief of Gotham's sages.
But long before he could have been wise, ages
Earlier than this, while he grew thick and strong
And ate his bacon, or, at times, sang a song
And merely smelt it, as Jack the giant-killer
He made a name. He too ground up the miller,
The Yorkshireman who ground men's bones for flour

"Do you believe Jack dead before his hour?
Or that his name is Walker, or Bottlesford,
Or Button, a mere clown, or squire, or lord?
The man you saw,--Lob-lie-by-the-fire, Jack Cade,
Jack Smith, Jack Moon, poor Jack of every trade,
Young Jack, or old Jack, or Jack What-d'ye-call,
Jack-in-the-hedge, or Robin-run-by-the-wall,
Robin Hood, Ragged Robin, lazy Bob,
One of the lords of No Man's Land, good Lob,--Although he was seen dying at Waterloo,
Hastings, Agincourt, and Sedgemoor too,--Lives yet.
He never will admit he is dead
Till millers cease to grind men's bones for bread,
Not till our weathercock crows once again
And I remove my house out of the lane
On to the road." With this he disappeared
In hazel and thorn tangled with old-man's-beard.
But one glimpse of his back, as there he stood,
Choosing his way, proved him of old Jack's blood
Young Jack perhaps, and now a Wiltshireman
As he has oft been since his days began.

17 comments:

  1. What a wonderful poem. The England I like to remember. I know all the places mentioned in it and have lived in some. I lived on the Hog's Back and I have flown in a light aircraft over Alton Barnes to look at crop circles from above. I am coming back to read it again at my leisure. They took a photo of the place where Constable painted the mill, and it has not changed in the slightest. I find that amazing and also reassuring.

    ReplyDelete
    Replies
    1. We used to travel over Salisbury Plain, then over the Hog's Bank to relatives in Kent - the journey always so long. Of course this England above was only a sensory one, reality was poverty and cold in the winter for the poor Tom. I had always wanted to live in the Pewsey Vale it had incredibly strong ties to its history and an ambience of such strength. The two churches of Alton Barnes and Alton Priors so close together, one built on a supposed stone circle.

      Delete
    2. I think it was more than a sensory one, which will probably become clearer for the cold and poor this winter. I listened to many more poems by Edward Thomas last night, which made me think of buying a book of them. That is highly unusual for me!

      Delete
    3. He is a favourite of Jennies. She started a side blog on him - http://dustonthenettles.blogspot.com/ - but yes buying a book of poetry by him does seem strange for you Tom. ;)

      Delete
  2. My father - a Countryman through and through - coul d when I was a chid - recite this, his favourite poem. As he went into old age he forgot bits of it but they would spring to mind if someone said a word or phrase that reminded him. I love it too -a) for the poem itself and b) for the fact that it brings y father back to mind whe I read/hear it. What would we have read from Thomas had he lived into old age?

    ReplyDelete
    Replies
    1. What a lovely thought of learning such a long poem as your father did, all I can recite Pat is 'The Owl and the Pussy Cat'. Though of course learning poetry at school each week was always on the timetable. In answer to you question about Thomas, I don't know perhaps his genius though short lived, comes from what he has written. Did John Betjeman write any better over a long period?

      Delete
  3. With family from Suffolk, I am familiar with some of Constable Country - Dedham, Flatford etc, although I last visited many years ago now.
    In relation to your comments on roadside flora, an associate of my wife back in the late 1970s did an extensive survey of roadside flora along Northumberland roads, and found some striking differences between roads regularly salted in winter with those not - a significant population of maritime salt-tolerant species on the more heavily silted road verges.

    ReplyDelete
    Replies
    1. In other words Will we alter the environment just spraying salt on on the roads. When we lived in Chelmsford the roadside verges were sown with wild plants, cowslips danced on roundabouts. But of course the busy road would not be conducive to insect life, if they feasted on the wildflowers. We complain about lack of insect death on windscreens now but most things we do alters the environment.

      Delete
  4. My father, who was a countryman but certainly no art critic, could read a whole story into Constable's paintings, though he'd only ever seen them on cheap prints and reproduced on plates. He felt that there'd been a long period of dry weather, indicated by the low level of the stream and the colour of the distant fields. The waggon, or wain, had stopped in the water in order to soak the wheels and tighten them up by expanding the wood. However the yellowish light at noon and the way the clouds are building show that it might well rain before too long. Will they get the hay in in time? Only the dog seems to be aware of the urgency of the situation.

    ReplyDelete
  5. That was another evocative memory from the past John. A well remembered story, could it be that television has ruined our ability to concentrate on the things around us. I like his 'reading' of the painting, there is definitely a black cloud in the sky for rain. A country person would easily read the weather of course, and if you know a river well, how deep it should be.

    ReplyDelete
  6. Fantastic poem. Loved it, Janx

    ReplyDelete
  7. Ah Adlestrop....have now gone down the internet rabbit hole...Janx

    ReplyDelete
    Replies
    1. And of course Robert Bridges' 'The Idle Flowers' which practically names every wild flower you would find in the countryside....

      Delete
  8. Another friend has just sent a link to Helen Thomas (by then elderly) reading one of Edward's poems (Tall Nettles). I think that's one of my favourites, along with At the Team's Head Brass, but Lob encapsulates the Wiltshire you know and love. Never knew that Rose Campion was also called Bridget in her Bravery. I have some in the garden here and a bit more wild in the orchard. A good start to my day. Thank you.

    ReplyDelete
  9. Glad you enjoyed it Jennie, though I know you are a fan of Thomas, must read him up more. I think he captures the Wiltshire I knew and wandered around in.

    ReplyDelete
  10. The poem was a long one, but the detail is exquisite. It is something that I've copied, pasted, and printed off. It will need to be read again...and again...and again.

    ReplyDelete
    Replies
    1. I am glad you enjoyed it Debby, it comes from a certain time, describes an England that was vanishing as technology took its toll.

      Delete

Love having comments!