Tuesday, March 31, 2020

Notes


Lady with Tissue.  A courtesan or Geisha Girl in other words, no need for further explanation.  Here you can see the patient hours of work restoring a scroll.  For a start they do not have a permanent place on the wall, but are displayed over time.  During the time not on display they will be rolled and kept in a special box.  Every part of the materials come from specialist makers.  In Japan craft people are treasured for their particular skills.  It is called Preservers of  Important Intangible Cultural Properties.  Somewhere on this blog I have photos of some, they are like museum items on display it is strange.
There are actual tissues that have to be removed from either side of the scroll, this is done with water, and new tissues attached by the same method.  At the back of the scroll you will see tiny strips of paper holding the creases, each and everyone is removed and new ones replaced.  This is not a small job.  I have also written somewhere about the ten year glue, which is made over that period of time, and when the glue that you stir so religiously each year is made, it is then that you have moved from an apprenticeship to full time conservator.  see links below.
There was so much I admired in Paul's  neat nature but it all came from this attention to detail and working for long periods of time on old scrolls.  My untidiness was a great weight for him to bear ;) but love always won through.



the finished madam


still to be corrected, see the terrible creases.






removing the strips








And of course a specially tied neat scroll to go into its box from Japan




Making Aged Paste link  and another one

Tissue thin paintings link

11 comments:

  1. My goodness - Paul must have had the patience of a Saint - and the dedication! Oh my. How long was his apprenticeship Thelma? I love to see a craftsman at work, and he was certainly one of the highest standing, especially within his specialist community.

    Thank you for sharing with us.

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  2. 10 years is the apprenticeship Jennie. I feel some how his work should be recognised, he always said he would write something but never did. There were not many Japanese conservators in Europe of course only a handful.

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  3. Incredible work indeed Thelma, and such beauty at the end of it. Did he train here or (as I suspect) in Japan?

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    1. Yes, he went at the age of 20 years to Japan from art school, and the first year was a (starving) buddhist monk. Then he went into a studio to train.

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  4. An unimaginable amount of work and skill.

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    1. You can see why he became very tired and bored with it though Joanne.

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  5. Wow, thank you for sharing this. How fascinating and interesting. I greatly admire people who have skills that take that long to acquire.

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  6. I cannot believe all the delicate work that goes into this restoration!

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  7. I think it was what you would call a slow craft ;)

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  8. This is just fascinating. I appreciate your posting about it. I am in awe of his skill.

    Debra

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