Saturday, October 1, 2022

Words


 
Carve the Rune then be Content with Silence - Erland Cooper

A piece of music yet to be played, think it will be at the Barbican, but the words provoke a thought.  The working of a rune on an old stone.  Usually for a burial memory to an important person,  carved on old stone in Scandinavian history. Runes come from the Germanic language and the earliest use of them is from  150 AD.  The quietness after chipping away the stone to form the runes, a silence released from noise.  The Vikings carved runes in the prehistoric tomb of Maeshow situated on mainland Orkney.  The terminology for these writings is graffiti.  And to quote the words of Hilary Mantel, which I came across this morning.

“Evidence is always partial. Facts are not truth, though they are part of it – information is not knowledge. And history is not the past – it is the method we have evolved of organising our ignorance of the past. It’s the record of what’s left on the record. It’s the plan of the positions taken, when we to stop the dance to note them down. It’s what’s left in the sieve when the centuries have run through it – a few stones, scraps of writing, scraps of cloth. It is no more “the past” than a birth certificate is a birth, or a script is a performance, or a map is a journey. It is the multiplication of the evidence of fallible and biased witnesses, combined with incomplete accounts of actions not fully understood by the people who performed them. It’s no more than the best we can do, and often it falls short of that.”

We live on shifting sands, magnified by media that chatters incessantly in the background trying to make sense of it all.  This wretched government mistakes that are unfolding at the moment will be resolved eventually by a sharper sense of fairness on the part of the greater population.  At least I hope so, turning to other things.

Yesterday, this was just an exercise, when I plotted a journey to Eskdalemuir via Langholm, though I could have caught the train to Lockerbie and then a taxi to Eskdalemuir.  The landscape in Dumfries and Galloway at the time caught at my soul, the sheer loneliness of it.  There were things that were negative, great tracts of planted forestry trees, also bare hillsides where the trees had been shorn from their surface.  
The town of Langholm itself seemed a miserable place, we went into shop and buy petrol but it was about 15 miles from where we were staying, I loved the length of loneliness in the travelling time though.
Sadly there was an air of decay and abandonment in the village of Eskdalemuir where we stayed, the solitary church on the outskirts, our hosts in their house overlooking the river.  Time had forgotten, though there was the slight flourish the Tibetan monastery brought in for the renting of holiday homes - few and far between.

One thing I had been keeping my eye on was the buying of parts of the Langholm Moor for rewilding by the community.  They were charged millions by the owner of course but they acquired just over 5000 acres and there is a second lot being bid for.  The moors original role had been grouse moor but I think in Scotland people are getting just a little cross at private ownership and the disregard of all the other creatures of the moor, and slowly gamekeepers are brought to law when found poisoning prey birds illegally.
Funnily enough this train of thought comes from reading a book at the moment which is set round Langholm,  "The Crow Trap" by Ann Cleese, a nasty way of catching crows.  You shut a live bird in a cage and its flapping around will cause others to come, and they in turn get trapped.
It seemed to have been sunny on our visit, it is strange how these few days haunt my memory.  It can be truly said of Britain that wherever you go the countryside will be different.


Stones are like the fulcrum of my life.

This photo always invokes the smell of the trees and the brown river we wandered down to.

This church yard is a couple of miles from the village but has no church

Almost a good place to be buried.

The white stupa I think of as a wedding cake



10 comments:

  1. Beautiful, peaceful countryside Thelma - good for the soul. David and I went up there to walk when we got Foot and Mouth in our herd and they all had to be destroyed,

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    1. Gosh that was a sad time Pat, many farmers were heartbroken having their cows destroyed. I remember we could not go dog walking over the downs or fields, and could only use The Archery field down in our village for exercising dogs. It is very beautiful the landscape in Scotland, but of course only because it is rugged and hilly.

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    2. Pat - I never knew that David's herd had F&M and had to be destroyed. Ghastly times for you both.

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  2. What wise words from Hilary Mantel - so articulate and it truly explains why we are totally stumped when it comes to trying to unravel prehistory!!

    The Tibetan monastery at Eskdalemuir seems a very random siting but I guess they got the peace and solitude they wanted in those surroundings.

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    1. I think an old house and land were given to the foundation early on and they built from there Jennie. I found Mantel's books very long, and never finished the second. But she was truly a marvellous writer with great insights.

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  3. Two connections enter the searchlight of my brain. Firstly, I am reading a book that in its early chapters focuses on the Tibetan retreat near Eskdalemuir and secondly, a few years ago, I came across a crow trap near a farm on Dartmoor and there were dead crows hanging on a barbed wire fence close by. I opened the trap and let the frightened crow go and I also reported the incident to the local RSPCA but heard no more after they acknowledged receipt of my information. Some farmers see all wildlife as threats to their livelihoods - pigeons, foxes, badgers, crows, starlings.

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    1. True Nial, from early on we attacked the land with pesticides and herbicides, killing the local wildlife but I do believe the tide is turning against all this. Brownie points for releasing the crow, and telling the RSPCA. Old fashioned cruel methods are slowly being phased out thankfully.

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  4. The line about 'it is what is left in the sieve when the ceturies are run through it'. What a wonderful mind picture.

    We know pieces. It's when people decide they have the full picture in any situation that things become problematic. If we approach everything from the perspective of not having the full picture, it allows us to connect and interact with others.

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    1. Hilary Mantel was a wonderful writer Debby, she caught how history is changed by the incomplete pieces of the jigsaw. And of course our interpretation.

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    2. I will look for her. Thanks, Thelma. I get such good recommendations from blogs!

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